JERUSALEM — One of the earliest known copies of the Ten Commandments
was written in soot on a strip of goatskin found among the trove of
biblical material known as the Dead Sea Scrolls, widely considered to be
one of the great archaeological finds of the 20th century.
Penned on parchment by an unknown scribe more than 2,000 years ago, the scroll fragment is one of humanity’s most precious documents — and so fragile that its custodians rarely permit it to be moved from the secure vault where it rests in complete darkness.
But
for 14 days over the next seven months, the Ten Commandments scroll,
known to scholars as 4Q41, will make a rare public appearance at the Israel Museum
as part of a new exhibit called “A Brief History of Humankind,” a show
based on the international best-selling book by Israeli polymath Yuval Noah Harari.
The
exhibit chronicles humanity’s narrative arc by pairing cutting-edge
modern art from the museum’s extensive collection alongside the display
of 14 artifacts: the earliest-dated stone tools; the earliest evidence
of man-made fire; the earliest-known evidence of a family burial; the
world’s oldest complete sickle — plus the Ten Commandments. It ends with
Albert Einstein’s handwritten 1912 manuscript for the Special Theory of Relativity, including the formula E=mc 2 .
Even
if you consider a couple of the commandments — maybe the ones about
coveting? — as more suggestions than rules, seeing the scroll provides a
major wow, taking us as far back as we can get to Moses the lawgiver,
who faith and tradition say brought God’s orders down from Mount Sinai
to his people.
As for who penned the copy of the commandments now on display at the Israel Museum, deep mysteries still remain.
Were they inked by scribes belonging to a collective of celibate Jews
from the sect known as the Essenes, who might have hidden the scrolls in
the nearby caves? Or were the caves just a temporary place to cache
documents as the Romans and Jews went to war?
For the opening of
the exhibit earlier this month, staged to celebrate the Israel Museum’s
50th anniversary, more than 12,000 guests showed up — breaking a one-day
record at the hilltop art and archaeology institution.
“No
matter how many times I have heard the story of the Dead Sea Scrolls it
still amazes me that these fragments survived,” said Tania
Coen-Uzzielli, head of Curatorial Affairs at the Israel Museum.
A
kid with enough Hebrew to make his bar mitzvah can still read the text:
“Honor your father and mother so you will have a long and healthy life.”
The
scrolls were discovered in a series of caves in the late 1940s and
early 1950s by Bedouin shepherds. The Ten Commandments fragment was
found in the famous Cave 4 not far from the Qumran ruins in the Judean
Desert of the West Bank, where the scrolls had rested, undisturbed and
preserved for two millennia, in darkness and dry desert air.
After
the discovery, all sorts of crazy things happened to the scrolls. With
enough twists and turns for an Indiana Jones sequel, they were lost and
recovered, hoarded by secretive scholars, the subject of academic feuds,
lawsuits and conspiracy theories and, very sadly, woefully mishandled.
The delicate bits were flattened under glass panes in rooms without
climate or humidity control.
As hard as it is to believe today,
some of the fragments were taped together soon after their discovery, as
researchers tried to piece the puzzle of the fragments back together.
The conservators are still working to ever-so gently remove bits of
yellowed, sticky cellophane.
The curators at the Israel
Antiquities Authority, which maintains labs at the Israel Museum,
allowed a Washington Post correspondent a glimpse at how the scrolls are
stored, protected and handled today. The ground rules were simple:
Look, but do not even think of touching. If you could stop sweating and
breathing (which creates subtle changes in temperature and humidity),
probably better. And no photographs, and never tell a soul where the
scrolls are stored, except to say, “deep in the bowels of the Israel
Museum.”
The Ten Commandments fragment measures about 14-by-4
inches, and when it is not being readied for display it is sleeping
between pieces of delicate tissue paper and acid-free cardboard in a
simple archival box on a shelf in a secure vault that maintains “very
strict” conditions — a rock-steady temperature of 68 degrees and 48
percent humidity in complete darkness.
“Literally resting,” as
Pnina Shor, curator and head of the Dead Sea Scrolls Projects explained,
“because the parchments are organic material — they need air to
breathe.”
Israeli curators have decided it can be exposed to the light of a museum display case no more two weeks every five years.
In
all, the Dead Sea Scrolls contain some 900 manuscripts composed of a
few complete scrolls and tens of thousands of fragments. The works
include books of the Old Testament or Hebrew Bible, as well as texts not
included in the Bible (like the Book of Tobit and the Wisdom of
Sirach), as well as commentaries, hymns, prayers and mystical formulas.
Some of the scrolls were rolled and wrapped in linen and stored in jars in the caves — part of a library or an archive?
Shor
said that all the fragments in Cave 4 were found in a jumble on the
floor, which suggests to some scholars that this specific cavern may not
have housed a library but a genizah,
a repository where Jews store worn-out and damaged religious texts,
because it is forbidden to throw away writings containing the name of
God (until they may be gathered up and buried following proper ritual).
Based
on the style of the ancient writing, the Ten Commandments scroll is
believed to have been penned in the 1st century B.C. The parchment is
animal skin, most likely goat (other scrolls are sheep or deer). The ink
is made from soot and was placed on it by a sharp quill. Other
fragments have been dated by radiocarbon techniques and the DNA of the
parchment examined, but the Ten Commandments scroll has not because the
tests require the curators to clip off a tiny piece or two, which they
are loathe to do.
After the Ten Commandments went on display at
the opening of the exhibit, the curators quickly detected that the
humidity had climbed to 51 percent (just one percent above their red
line), likely because the throngs of visitors, by simply breathing, had
raised the moisture in the air.
Curators brought the scroll back
down to the basement to rest again until the conditions in the exhibit
could be adjusted. They promise the scroll will make another appearance
very soon.